Tons Of Great Interviews 'In The Can' (Or The Drive)!

Letraset Art Sheets courtesy of Dan Rhatigan's personal collection.

We’ve concluded the last interviewfor the film, and we are excited about the results. From British design legend, Ken Garland, to a slew of former phototypesetters in Manhattan, to the always insightful writer/designer, Adrian Shaughnessy, we’ve gotten a major window into the brief, but critical era of cold type and paste-up. To get a sense of who and what we captured, check out the images below!

Now begins the process of reviewing material to prepare for editing. It’s a big job, but one I’m thoroughly going to relish.

Remember you can follow along with the more immediate updates on the various social media:
Facebook: www.facebook.com/graphicmeans
Twitter: @graphic_means
Instagram: @graphicmeans

 

Our Kickstarter was funded!

In all the excitement, I forgot to post here that we made our Kickstarter goal on April 2nd! Thank you all for helping us get there!

If you missed the campaign, you can still pre-order Graphic Means, here on the site. The film is expected to come out in June 2017. By pre-ordering (instead of purchasing when we're done), you help us when we need it the most—during the filmmaking process.

Meet A–Z of Graphic Means illustrator, Kate Giambrone

So who is behind all these wonderful illustrations? It's the wonderful Kate Giambrone! I asked her a few questions so Graphic Means supporters could get to know her a little.

How did you get involved with Graphic Means? 
I had been watching Graphic Means coming to life in the studio* and realized that there was so much I didn't know about how design was produced prior to the computer. Essentially, I invited myself onto the Graphic Means team in order to fill the giant black hole in my knowledge of design history. 

Follow Graphic Means on Twitter, Facebook, or Instagram to see the rest of the alphabet unfold.

What is your favorite pre-computer age production tool/method? 
There is something pretty fascinating about punched tape. I think many designers are (understandably) control freaks about their type. It must have been challenging having to let go and hope that punched paper ultimately translated into what you envisioned for a layout. Your type could literally be destroyed by a hanging chad.

What other projects are you working on right now? 
​When I'm not forcing my way onto other people's Kickstarter teams, I do design and illustration work for my studio, Bologna Sandwich. My business partner, Julianna Johnson, and I work with a variety of clients including CrowdCompass, Cloudability, Bitch Media, and Women's Foundation of Oregon. We are also Adjunct Faculty in the Portland State design department. 

Illustration by Kate Giambrone and Juliana Johnson (Bologna Sandwich)

Infographic by Kate Giambrone and Juliana Johnson (Bologna Sandwich)

Mural by Kate Giambrone and Juliana Johnson (Bologna Sandwich)

*Ed Note: Kate and Briar share a studio space, which also includes Graphic Means motion designer, Emily Dekovich, and two other designers.

The sounds of Graphic Means, are the sounds of The BBC's Radiophonic Workshop

Some of you have noticed the soundtrack to the Kickstarter trailer is made by none other than John Baker of the BBC’s Radiophonic Workshop. For those are unfamiliar, here’s a little background.

The Radiophonic Workshop was a department of the BBC, started in 1958, tasked with making music and sound effects for radio and TV. Perhaps the best known member of the Workshop was Delia Derbyshire who is responsible for the classic theme song to Dr. Who.

John Baker arrived at The Radiophonic Workshop in 1960. With a background in jazz, brought his own unique sound into the fold.

The thing that makes The Radiophonic Workshop so incredible and beloved to this day, is the experimentation, and groundbreaking sounds and techniques they employed. While they certainly weren’t the first electronic musicians (technically that started as early the late 19th century), they brought the music to the masses, and inspired generations of electronic musicians after them.

So why did I choose this music for Graphic Means? Well, I'm a longtime electronic music lover, and worshiper of the Radiophonic Workshop. Because this music was made in the era that much of Graphic Means will focus on, it seemed like the perfect soundtrack.

Additionally, the relationship of early electronic music, to the electronic music today felt like a really lovely parallel to the early electronic methods of design production and their progression to digital as we know it today.

If you’re a fan of the tracks, you can check out some of these collections (click the link to buy).

Getting to know Emily Skaer, Motion Designer for Graphic Means

How did you get involved with Graphic Means?
I was referred by two former professors of mine at PSU, Julianna Johnson and Kate Giambrone, off Instagram oddly enough. The funny thing was I ended up taking a class with Briar while working on part of the intro to the film. Back in the midwest I worked at an art supply store and used to dig into the old inventory, playing with Rapidographs and paste up lettering. So when Briar shared her collection of vintage supplies, it definitely hit a bit of nostalgia and got me all giddy to explore the history of design production even more.

I've since become a studio mate with Briar, Julianna and Kate + one other, at Same Page Studio—where you can often hear Whitney Houston belting out some ballads to cheer on our working day.

What is your favorite pre-computer age production tool/method?
The Koh-I-Noor lead holder with non-photo blue lead is my absolute favorite tool, it's rare when I don't have it on me. It's quite a bit heavier than a standard pencil which makes a heavy hand gentler on the lead. 

What other projects are you working on right now?
Right now I am wrapping up a series of science videos for children, and helping a nonprofit with their branding. I've become freelance within the last year and am loving the diversity of projects it brings.

Check out more of her work at emjanedesign.com

We'll be at Typo SF!

Come say "hi" to us!

A–Z of Graphic Means

We are so lucky to have friend and colleague, Kate Giambrone of Bologna Sandwich releasing these wonderful illustrations of design supplies and tools of yore. Here's what she's released so far over our various social media:

Some nice mentions from the press.

How!
It's Nice That!
Design Taxi!

We also got some nice tweets from the likes of Adrian Shaughnessey of Unit Editions, and Gary Hustwit, director of Helvetica!

If you haven't shared our Kickstarter yet, please do—we only get the funding if we reach our goal (yikes!). 

Meet Director of Photography, Dawn Jones Redstone!

Dawn  (otherwise known as Hearts + Sparks Productions) is passionate about film—and about using it to help people and organizations tell their stories in the best way possible. In fact, Briar and Dawn met years ago through Bitch Media (publishers of the magazine Bitch: Feminist Response to Pop Culture), where Briar was the Art Director, and Dawn was on the Board. They collaborated for the first time on a promo video about the Bitch Media offices. 

Since then Dawn has worked on music videos, ads, and fun Portlandia-like sketch shorts. She is currently undertaking her own major work-to-date—a film called Sista in the Brotherhood. This is a "short film about a young black tradeswoman who struggles to prove herself on the jobsite. Loosely based on a doctoral thesis written by Dr. Roberta Hunte, the film reflects the experience of many tradeswomen who struggle to be accepted in a male-dominated workforce."

Sista in the Brotherhood is now in production!

Briar Levit on making Graphic Means

The Graphic Means Kickstarter has launched!

So close to launching our Kickstarter campaign!

From the director's Library: Complete Guide to Pasteup

This is one of the most informative books I've found about paste-up. I adore the cloth cover with deboss. 

I've had the pleasure of corresponding with Walter Graham, who lives in Omaha, Nebraska. I hope Dawn (Director of Photography) and I can get out to meet and interview him for the film.

Been flipping through back issues of Emigré

What an amazing time for typography! You can read a lot of the essays on their website.

Editing away!

Only one week before we go live on Kickstarter. I worked with editor, Leah Brown on refining the project trailer.

Treasure in the Portland State "Friends of Graphic Design" Library

Second interview went off without a hitch.

It was great to speak to Cece Cutsforth, Chair of the Graphic Design program at Portland Community College. She dropped some serious knowledge in her paste-up demo. Stay-tuned to see more when we launch the Kickstarter campaign in February 2015!

Inaugural Interview with Pat Castaldo!

I'm really excited to have completed the first interview for Graphic Means, with Pat Castaldo. Pat was around right at the tail end of the paste-up era, and he had some good stories to tell.

Dawn prepares the camera while Pat waits patiently, despite having loads of work to do in this busy season for his business, Buy Olympia.

Peek of the Title Sequence Shoot

We had a great time shooting images for the initial title sequence today. Dawn and Emily were on set, with Andi Zeisler on hand model duty.

Graphic Means title sequence shoot time lapse from Briar Levit on Vimeo.

Looking for a film/video editor

We're getting close to a full team here, but still need a film/video editor. We strongly encourage women to apply. 

A few notes:

• Production is planned to start in December.
• We are located in Portland, and so it would be ideal if you were too. If you were an amazing match, we could work around it.

Please send a link to a reel if you're interested. Also feel free to share this far and wide.

Thanks!
The Graphic Means Team

hello@graphicmeans.com